Stop This Fussing And Fighting, by Glen Adams

Stop This Fussing And Fighting

by Glen Adams

supported by

	/

Streaming + Download

Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

Purchasable with gift card

€2 EUR or more
Record/Vinyl + Digital Album
Includes unlimited streaming of Stop This Fussing And Fighting via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

ships out within 1 day

€9.99 EUR or more
Full Digital Discography

58

releases

Get all 58 Jamwax releases available on Bandcamp and save 50%.

Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of In Ting Sound, Human Rights & Justice, Money Mare, Humble, The Lone Pilgrim, Moving Out, Woman My Queen, Roots Reality, and 50 more. , and , .

Purchasable with gift card

€83.49 EUR or more (50% OFF)

	1.	Stop This Fussing And Fighting 08:03		buy track
	2.	Mad Blank 05:11		buy track

about

Emotional Rescue and Jamwax ends their Capo Disco series by returning to Glen Adams and his cover of Bob Marley’s classic. The early 70s Lee Perry produced original raw sound is taken to the disco reggae dancefloors of the early 80s with a bottom heavy jam, while his Capo Crew works a killer dub flipside.

“Fussing & Fighting” was originally released on the 1971 Soul Revolution album and for many came during the pinnacle of Bob Marley & The Wailers output, before the smoothing out of their sound during the later “Island” years. Whichever, the guidance and collaboration with Perry transformed the Wailers from a successful Ska / Rocksteady group towards a visionary, conscious, crossover phenomena.

Perry’s in-house band, The Upsetters, lent so much to this early period, the brothers Aston and Carlton Barrett creating a perfect drum and bass bedrock. With Glen Adams on organ, the original version known simply as is an incessant, rumbling message and in that light, Adams return to it over a decade later makes justified and righteous sense.

Actually released on both Capo Disco and Marley’s own Tuff Gong, Adams’ vocal marries a disco-dub and guitar groove, dropping, in the latter half, right down to tambourine into a perfectly stretched Discomix.

Things get even more laid out on Mad Blank aka the version. Riding the desk, “Capo” lets each instrument time and space, dropping to just a kick and dubbed piano before slowly coming back with hats, guitar and then when the bass comes, the Gospel purity of dub reggae shines, all before the teasing fade calls for a rewind. Rest and rise, Glenroy “Capo” Adams.

GET YOUR COPY AT WWW.JAMWAX.COM